Archive of the Documentaries Category

Entity FX Creates Interstitial VFX for Michael Jackson’s This Is It

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Santa Monica, CA (November 3, 2009) – Film, television and commercial visual effects company Entity FX congratulates the makers of Michael Jackson’s This Is It on the film’s powerful worldwide debut. The documentary movie, directed by Kenny Ortega and distributed worldwide by Sony Pictures, is a behind-the-scenes look at Michael Jackson as he rehearses for his final concert. It includes complex visual effects sequences originally part of a series of mini-movies directed and VFX-supervised by Bruce Jones. These mini-movies were ultimately intended to be displayed — some in stereoscopic 3D — on a giant screen behind the live performers. Entity FX helped to create a number of these moments.


Among the effects Entity FX completed is a fantastical parade ground in which thousands of soldiers dance with military precision as the camera dollies by them. Entity FX digitally created the environment and more

Zoic chooses Previzion® to bolster Z.E.U.S. VFX pipeline

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Venice, CA— 3rd October, 2009—Lightcraft Technology has announced the successful long term rental of a Previzion® realtime on-set VFX compositing and tracking system by Zoic Studios. The time and money-saving system is being used in Zoic’s on set and post work with profoundly beneficial results to VFX aesthetics and budgets.


“Lightcraft Technology’s Previzion system is a critical component of Zoic’s on stage and post production pipeline called Z.E.U.S. (Zoic Environmental Unification System,)” says Mike Romey, Pipeline Supervisor for Zoic Studios. “The system binds pre-production digital assets with on-set visualization and post production effects and compositing. On stage, the system allows us to interact with digital sets in real time with a live more

16×9 Inc.’s EXII 0.75X Wide Converter — Higher Quality, Lower Price

EXII 0.75X Wide Converters

EXII 0.75X Wide Converters



16×9 Inc.’s new EXII 0.75X Wide Converter is designed with flexibility in mind, fitting more cameras and lenses than the first-generation converter. And, continuing 16×9 Inc.’s aggressive pricing structure for the EXII series, the EXII 0.75X is priced well below the original EX 0.75X (which retailed for $995 U.S.), yet still offers unsurpassed HD-quality optics.


Featuring four glass elements, the compact and lightweight EXII 0.75X Wide Converter provides 25% more extreme angle of view over the stock lens and maintains full zoom-through capability with cameras that have auto focus. Cutting-edge optics reduce geometric (barrel) distortion and improve off-axis performance, particularly chromatic aberrations and flatness of field.


The EXII 0.75X Wide Converter comes in 62, 72, 77 and 82mm threaded mounts that fit a variety of popular HD and HDV cameras from Canon, Panasonic more

SUSTAINABLE SOLUTIONS FOR CHICAGO PRODUCTION COMPANY

Chicago, Illinois: You won’t find a printer, post-it-note or scrap of paper at Cimaglia Productions (www.cimagliaproductions.com), a Chicago-based, full service production company. This forward-thinking production company operates more efficiently by incorporating sustainable business practices. Its seasoned staff of media professionals has created one of the leading high tech, energy-efficient production offices in Chicago and Boca Raton—completely paperless, completely sustainable. more

I.E. Effects Delivers VFX for Michael Jackson’s “This Is It”

Culver City Facility Completes All Shots in Stereoscopic 3D

Culver City, CA: Oct. 27, 2009… I.E. Effects completed key visual effects sequences for the highly-anticipated Michael Jackson concert film “This Is It.” While the theatrical release will be a standard 2D presentation, the Culver City-based postproduction facility delivered all of its VFX work in full stereoscopic 3D, opening the door for a stereoscopic version of the film in the future. Originally, the facility was contracted to produce 15 stereo 3D shots for Jackson’s widely-publicized concert tour, but following the untimely death of the King of Pop, the project was put on hold. The upcoming feature film, and the special edition Blu-ray that will follow it, allowed I.E. Effects to complete the project and fulfill their role in Michael Jackson’s final show. more

DIRECTOR/CINEMATOGRAPHER JERRY SIMPSON CELEBRATES UNSUNG SIDEMAN STEVE GADD IN DOCUMENTARY SHOT WITH PANASONIC AJ-HPX3700 P2 HD VARICAM CAMCORDERS

Director/Cinematographer Jerry Simpson with Panasonic HPX3700

Director/Cinematographer Jerry Simpson on location at Tanglewood Music Festival with Panasonic AJ-HPX3700



SECAUCUS, NJ (October 26, 2009) — Veteran Director/Cinematographer Jerry Simpson, principal of production company Simpson Films (Long Island City, NY), has recently shot a pilot for a documentary profiling drummer Steve Gadd with the VariCam 3700, Panasonic’s premier solid-state P2 HD VariCam camcorder.


Offering the ultimate in image quality, the VariCam 3700 (model AJ-HPX3700) advances the art of high-end cinematography by teaming VariCam’s renowned filmic-look, variable frame rates, and subtle tone control with master-quality, 10-bit 4:2:2 AVC-Intra recording as well as Dual link RGB 4:4:4 output. more

Final Frame Post Completes Digital Intermediate for Peter and Vandy Feature Film

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Final Frame Post, a New York City based post production service provider announced that it provided the digital intermediate services for “Peter and Vandy,” a feature written and directed by Jay DiPeitro and based on his award-winning play. Peter and Vandy is about a young New York couple’s relationship that unfolds in a non-linear fashion and told in non-chronological order. It opened in limited release on Friday, October 9, 2009.


Will Cox, Final Frame Post co-founder and colorist, conformed, graded and digitally color corrected the material on their Digital Vision Nucoda Film Master system and Rising Sun Research’s CineSpace for color management. The data-centric workflow of the DI and the use of LUT’s, allowed frame-by-frame interaction and great control over the look of the feature ensuring precise calibration of the post production process. more

Royal Flush Festival Hands Out “Skullie” Awards at Slipper Room

Harrod Blank accepts “Skullie” for Best Documentary, AUTOMORPHOSIS

(L) Royal Flush Festival Film Programmer Jim Muscarella & (R) “Automorphosis” Director Harrod Blank



NEW YORK, NEW YORK, October 21, 2009 – The Royal Flush Festival, an independent film, rock & roll, and underground art festival that took place October 15-19, handed out its custom-made “Skullie” Awards Monday night at Lower East Side burlesque hot spot The Slipper Room. The Slipper Room Dancers presented filmmakers with awards for the Jury and Audience award competitions, with live music by Fisherman’s Burlesque. These awards included the “One of a Kind” Award, which included unique art from Artists Ron English, Frank Kozik, Linsdey Kuhn & Tara McPherson. more

Music 2 Hues announces new Flagship Series CD Release - SOLO PIANO.


Enfield, Connecticut–October 20th, 2009 Music 2 Hues, a leading supplier of Production Music & Sound Effects to the, Film, Video, Animation, & Multimedia Industries, announced their newest Flagship CD title, “Solo Piano,” is now shipping worldwide. Solo Piano is now available on Audio CD, or it can be downloaded in Mp3 and WAV file formats. “This release satisfies the needs of our clients that have been asking for a CD of soft and emotional solo piano music beds, for all visual and multimedia support,” says Andy Wells, president of Music 2 Hues.


“Our updated Download Center offers our clients the ability to purchase individual tracks from all of our more

FLICKERLAB ANIMATES GEORGE W. BUSH ADDRESS FOR MICHAEL MOORE’S CAPITALISM: A LOVE STORY

NEW YORK, NEW YORK – For a fifth time, FlickerLab has teamed with Academy Award-winning Director Michael Moore, and created a minute-long animated segment, Chicken Little, for his latest feature Capitalism: A Love Story. Opening in New York and Los Angeles Sept. 23 and in theaters nationwide October 2nd, the film explores the root causes of the global economic meltdown and takes a sardonic look at the corporate and political shenanigans that plunged the world into the current financial crisis. more

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