Archive of the Documentaries Category

ANTON/BAUER TO FEATURE WIDE RANGE OF CUTTING-EDGE POWER SOLUTIONS AT BVE 2012

Company to Display MATRIX Cheese Plate and Gold Mount System, DIONIC HCX, DIONIC HC, CINE VCLX and Battery Accessories

LONDON, FEBRUARY 9, 2012Anton/Bauer®, part of Vitec Videocom, a Vitec Group company and a premier global provider of batteries, chargers, lighting and other mobile power systems for the professional broadcast, video and film industries, will demonstrate its latest array of power solutions at Broadcast Video Expo 2012 (Stand I30) for an international audience of broadcast, video and audio professionals. more

LATEST PROMPTING INNOVATIONS FROM AUTOSCRIPT HEAT UP THE TRADE SHOW FLOOR AT 10TH ANNUAL FEBRUARY FREEZE

TORONTO, FEBRUARY 8, 2012Autoscript, part of Vitec Videocom, a Vitec Group company, and the world’s leading teleprompting company, will be in attendance at the 10th annual February Freeze, hosted by William F. White International in conjunction with CinequipWhite, Inc. on February 8. more

ANTON/BAUER INTRODUCES GOLD MOUNT FOR NEW CANON EOS C300

Continues Commitment to Offering Innovative Power Solutions for Industry’s Hottest Cameras

SHELTON, CT, FEBRUARY 6, 2012—Anton/Bauer®, part of Vitec Videocom, a Vitec Group company and a premier global provider of batteries, chargers, lighting and other mobile power systems for the professional broadcast, video and film industries, is pleased to introduce its QRC-CA940 Gold Mount® solution for the new Canon EOS C300 camera. This latest introduction furthers the company’s commitment to developing power solutions for the industry’s top cameras. more

New 33D Bullet Rig Most Affordable, Mobile Rig

3D Bullet Rig

Hollywood, CA – 3D Film Factory, the leader in professional, affordable 3D camera rigs, introduces the world’s lightest, most affordable, hand-held 3D rig – the 3D Bullet Rig. Ready to “Load & Shoot”, this versatile 3D system is literally unshakable for handheld, Steadicam, Easyrig, or tripod filming.Priced at a fraction of other professional 3D rigs (under $5K), this compact beam-splitter rig is the perfect solution for location, reality, or action 3D filmmaking. It’s features actually surpass that of other more expensive rigs. For more information on the 3D Bullet Rig visit www(dot)3DFilmFactory(dot)com

“The 3D Bullet Rig is going to take 3D production to a whole new level. I love this rig. It’s incredibly light, rock steady and most of all – it’s really easy to shoot with from your shoulder, or tripod. This rig is a 3D filmmakers dream, very versatile“, said the company’s veteran stereographer Keith Driver. “Most 3D rigs are bulky, expensive and worst of all – tripod bound. They require a crew to operate. We’ve shot 3D projects in Africa, the Middle East, Hollywood soundstages, you name it we’ve done it in 3D. And we realized we needed a more mobile 3D rig. A 3D rig you could just pick up and shoot with. This is the 3D Bullet Rig.”

The 3D Bullet Rig makes handheld 3D filming effortless and smooth by transferring the weight to your waist and shoulder. Each 3D rig includes a spring-loaded suspension rod, comfortable weight displacement belt and adjustable, padded shoulder mount. The result is hours of mobile, handheld 3D filming capability. In addition, the rig features detachable rubber hand grips for easy manoeuvring and a standard tripod mounting plate (¼-20 and ?-16 holes).

Weighing approx. 15 lbs. (5.8 kgs.) the Bullet Rig accommodates the Red Epic, Canon DSLR 5D, 7D, XF105, XF305, XH-G1, Sony F3, EX3’s, HDCP1, X5U, Z1U, Panasonic AF100, HPX250 and many other professional HD cameras.

The rig also features custom camera mounts that easily lock and load cameras into place using a standard quick-release plate from Bogen/Manfrotto. The horizontal camera mount offers IO (inter-ocular) adjustability from 0” – 3.5” (0 – 89 mm) and simple convergence movement from 0°-3°. Both functions are easily controlled using smooth, accurate finger knobs, with calibration markings. The vertical camera mount adjusts for perfect stereoscopic picture alignment by elevating and performing full x-y-z rotation (yaw, roll, tilt).

The light-weight, mirror box housing is constructed using space-age foam core plastic that’s durable, corrosion-free and substantially cooler than a metal matte box. This ensures your beam-splitter glass with its expensive coatings will stay cool on hot days. The rig itself is hand-milled employing a nearly indestructible aluminium alloy frame.

Perfect for traveling light, the entire 3D Bullet Rig is ingenuously designed to set-up and break down in a matter of minutes, packing into a small, water-tight pelican case.

As a bonus, the horizontal rail easily detaches, along with the camera mounts, transforming into a side-by-side rig 3D for wide and landscape stereography.

Our opti-prime, 50/50 beam-splitter glass is optimized to meet the demands of 3D filmmaking. See specs. Within the matte box, a simple adjustment tool allows stereographers to fine tune the glass angle from between 43° to 47°.

The outcome is simply the world’s most affordable, professional handheld 3D rig.

It should be noted that using our simple Lanc system camera operators can now synch start/stop, focus, alignment, lens shift and many other vital functions thru both cameras or individually.

The 3D Film Factory offers a complete line of 3D beam-splitter rigs intended for HD camcorders, as well as larger ENG and broadcast style camera. In addition, we offer several inexpensive side-by-side rigs and real-time 3D viewing solutions. To learn more about 3D camera rigs, 3D viewing systems, 3D production services, or 3D training workshops visit – www.3DFilmFactory.com

About the 3D Film Factory
Established in 2008 by award-winning filmmakers and veteran stereographers, the 3D Film Factory has been the worldwide leader in professional, affordable 3D camera rigs and real-time 3D monitoring solutions. In addition we provide a host of 3D production services worldwide including, stereographers ‘for hire’, 3D camera rig rental, 3D viewing systems, and 3D post, as well as intensive 3D training workshops. Former clients include ESPN, NASA, Disney, HD Cinema, Pinewood Studios and Discovery. For more information visit www.3DFilmFactory.com

DP JAY KRISS CREDITS FUJINON DIGI-CINE LENSES FOR OUTSTANDING IMAGING OF DOCUMENTARY

Wayne, N.J. – FUJIFILM North America Corporation, Optical Devices Division has announced that Director of Photography (DP) and Director Jay Kriss used FUJINON E-Series Digital Cinematography HD lenses exclusively in the production of his full-length historical documentary, “Harvesting the High Plains.”

The film is slated to air late summer or fall nationally this year on the PBS network. Kriss co-owns the film production company Inspirit Creative, based in Williamsburg, VA, with Producer Sydney Duvall. For more information on the film, please click on www.harvestingthehighplains.com or www.kpts.org.

Kriss began shooting the documentary in the summer of 2010 using a Panasonic AJ-HP3700 P2 HD VariCam camcorder outfitted with a FUJINON HAe10x10 (10x100mm) E-Series HD zoom lens. In early 2011, he added a complement of FUINON E-Series HD prime lenses, including the HAeF5 5mm; HAeF8 8mm; HAeF10 10mm; HAeF12 12mm; HAeF16 16mm; HAeF20 20mm; HAeF34 34mm; and HAeF54 54mm, which enabled him to match the needs of each shot with the ideal lens.

“Harvesting the High Plains” recounts the hardships and challenges faced by farmers during the 1930’s Dust Bowl, a time when farmland was devastated by extreme drought and excessive farming. The 90-minute film tells the true story of two farmers—Ray Garvey of Wichita, Kansas and John Kriss of Colby, Kansas—who are credited with the expanded use of the innovative Summer Fallow agricultural method as well as other innovative farming methods that transformed uncultivated prairies into high yielding fields of wheat while conserving and respecting the land they used. The film depicts the fortitude of the American spirit that brought the country out of the Great Depression. “Something we all need to be reminded of in this present time,” stated Kriss.

“The FUJINON digital cinema lenses gave me creative latitude that exceeded anything I’ve experienced with other brand lenses,” said Kriss. “This film greatly benefits from the depth of field, precision, and clarity these lenses produce.”

“We really put these lenses to the test by shooting for weeks under extreme production conditions,” Kriss said. Besides temperatures exceeding 102 degrees, the lenses were continually subjected to extremely hot, dry, dusty winds common to the plains of Western Nebraska and Western Kansas. Every evening, Kriss would spend 1.5 to two hours meticulously cleaning dust from the lenses, but they never failed to perform flawlessly.

“We also pushed these lenses creatively,” Kriss said. “We adjusted the camera’s menus to shoot monochromatically, and then affixed a ‘Red 25’ filter to the lens to obtain a high contrast effect. Since the filter costs 4.5 stops, it was extremely advantageous to be able to open the lenses as far as possible, from T2.2 to T1.6, to maximize available light.” This also allowed Kriss to shoot with a very open lens, a style he prefers.

Kriss also cites the excellent service and support he received from his FUJIFILM Optical Devices sales executive, Bob Van Bodegon, as well as John Heinke of Hampton, VA-based Digital Video Group.

The finished film pulls together black/white establishing shots, historical footage, interview segments shot in color, and a black/white scene featuring actors in 1930’s period dress operating vintage farm equipment to harvest a field of wheat. Currently in post, “Harvesting the High Plains” will be color graded to adjust and match the contrast and color temperatures of all scenes prior to 35mm mastering.

DP Kriss and Producer Sydney Duvall co-wrote the script, which was based upon tens of thousands of letters exchanged by Ray Garvey and John Kriss. The letters, sent daily via the U.S. Postal Service, documented the history of their massive farm operation, GK Farms, as well as the national challenges caused by such historical events as The Great Depression, The Dust Bowl, and World War II.

According to Duvall, “This film documents the strength and resilience of these two farmers as they persevered to build an agricultural enterprise that eventually produced an unprecedented one million bushels of wheat by 1947—an accomplishment we hope will inspire contemporary Americans, many of whom are also facing tough economic times.”

Inspirit Creative is also partnered with Back 40 Films in the feature documentary production, “The Vanishing Hemlock.” The documentary focuses on the mass-scale death of more than 75 percent of the hemlock trees throughout the Smoky Mountains, and one man’s commitment to save what’s left. At times Kriss climbed more than 100 feet into a tree to shoot, and also captured extensive aerial footage with his Fujinon lens. Produced by David Huff and Back 40 Films in association with Inspirit Creative, “The Vanishing Hemlock” will be released on Arbor Day in 2012. For more information and to view footage, visitwww.thevanishinghemlock.com.

About Fujifilm
FUJIFILM North America Corporation, a marketing subsidiary of FUJIFILM Holdings America Corporation consists of five operating divisions and one subsidiary company. The Imaging Division sells consumer and commercial photographic products and services including film, one-time-use cameras, online photo services and fulfillment, digital printing equipment and service. The Electronic Imaging Division markets consumer digital cameras. The Motion Picture Division provides motion picture film, and the Graphic Systems Division supplies products and services to the printing industry. The Optical Devices Division provides binoculars, and optical lenses for closed circuit television, videography, cinematography, broadcast and industrial markets. FUJIFILM Canada Inc. markets a range of Fujifilm products and services. For more information, please visit www.fujifilm.com/northamerica, or go to www.twitter.com/fujifilmus to follow Fujifilm on Twitter. To receive news and information direct from Fujifilm via RSS, subscribe at www.fujifilmusa.com/rss.

FUJIFILM Holdings Corporation, Tokyo, Japan, brings continuous innovation and leading-edge products to a broad spectrum of industries, including electronic imaging, digital printing equipment, medical systems, life sciences, graphic arts, flat panel display materials and office products, based on a vast portfolio of digital, optical, fine chemical and thin film coating technologies. The company was among the top 16 companies around the world granted U.S. patents in 2010, and in the year ended March 31, 2011, had global revenues of $25.8 billion*. Fujifilm is committed to environmental stewardship and good corporate citizenship. For more information, please visit www.fujifilmholdings.com.

* At an exchange rate of 86 yen to the dollar.

All product and company names herein may be trademarks of their registered owners.

FUJIFILM Optical Devices Division, 10 High Point Drive, Wayne, New Jersey 07470. Phone: 973-633-5600. Fax: 973-633-5216. Web site:http://www.fujifilmusa.com/products/optical_devices/index.html

3D BULLET RIG – for 3D Shoots on the Go !

3D Film Factory's new 3D Bullet Rig

New 3D BULLET RIG shown with Panasonic HPX250 and Canon XF305 cameras, is the most affordable, modular 3D beam-splitter available today. It features adustable IO (3.5″), convergence (0-2 deg), XYZ axis, camera elevation and mirror angle (44 to 46 deg) for perfect image alignment in every situation. Fits easily on Steadicam, in handheld mode (shoulder mount incl), with EasyRig, on a jib and any tripod. Weighs just 15 lbs. and is 15″ wide. Accomodates Red Epic, Scarlet, Sony EX3, F3, Canon XF305, XF105, 5D, Si-2K, & many other professional cameras. For more information visit www.3DFilmFactory.com

From Milan, Italy new stock footage timelapse video clips royalty free in HD, 2K, 4K resolution

New high definition (HD, 2K, 4K) royalty-free stock footage timelapse shot in Milan, Italy have been added in different categories (Architecture, City and Clock) on HDtimelapse.net website.

Some of the locations from Milan, Italy are Milan Cathedral (Duomo di Milano), Duomo Square (Piazza del Duomo), Vittorio Emanuele II Gallery (Galleria), Christmas Tree, Sforzesco Castle, The Central tower, Torre del Filarete, Fontana del Castello, Piazza Castello, Shopping Area, Clock Tower, Milan Central Train Station (Stazione di Milano Centrale), Via Vittor Pisani, Il Naviglio Grande, Piazza Cavour, Roman Arches (Archi romani di via Manzoni), Old Trams, Piazza Cordusio, Via Mercanti, Sempione Park in Lombardy, Lombardia.

HDtimelapse.net library contains 7000+ time lapse video clips from 127 locations in 40 countries.

Many other clips are in post production from locations such Paris – France; London – England; Verona, Rimini, Genoa, Turin – Italy; Budapest – Hungary; Brussels – Belgium; Bukovina – Romania. If interested in details about one of these locations (short descriptions, snapshot pictures), customers should use the Contact section on HDtimelapse.net website.

Timelapse royalty-free stock footage here: http://www.hdtimelapse.net

The Hollywood Post Alliance Presents The HPA Tech Retreat 2012

Four Incomparable Days of Industry-Leading Sessions, Networking and Demonstrations at 18th Annual Confab

(Los Angeles, CA) The Hollywood Post Alliance(r) Tech Retreat 2012, the 18th annual gathering of post production industry leaders, is set to take place February 14-17, at the Hyatt Grand Champions Resort in Indian Wells, CA. Over the course of four days, the industry’s technical, business and creative leaders will gather for exploration and information exchange, sharply focusing on the latest developments and trends. The HPA Tech Retreat has long been recognized as a must-attend event for serious post production professionals, whether at work in acquisition and production, IT, engineering, broadcasting, 3D, digital-cinema and distribution or manufacturing. For nearly two decades, the topics and attendees gathering at the HPA Tech Retreat(r) have helped to define and clarify the trends and technologies driving the industry.

The HPA Tech Retreat is designed for participants to gather in a collegial atmosphere and dive into the most current and relevant topics impacting the industry and their work. During networking events, presentations and technology demonstrations, the Tech Retreat presents major opportunities for attendees to stay competitive and informed of significant industry issues and trends.

The event opens on Monday, February 13 for early registration and a pre-Retreat seminar from Charles Poynton. Tuesday, February 14th events include the HPA Supersession on Snowflake Work Flows, Part II and a seminar on ATSC 2.0: Enhancing Today’s DTV Services. The Tech Retreat Conference begins Wednesday, February 15th and runs through mid-day Friday, February 17th The entire event features back to back programming of presentations and seminars as well as demo rooms showing the newest in technology and provide the opportunity to talk one-on-one with the engineers and product innovators. Rounding out the event are breakfast roundtable discussions and outstanding networking opportunities. A full schedule is available at http://www.hpaonline.com/mc/page.do?sitePageId=130712.

Sponsors of HPA Tech Retreat 2012 include: AJA, Dolby, DataDirect Networks, and Testronic Labs, and Media Sponsors Createasphere and Post Magazine.

Complete registration information is available on the HPA website at http://www.hpaonline.com/mc/page.do?sitePageId=130712. For information regarding sponsorship, demo space or other opportunities call
(213) 614-0860 or email ekramer@hpaonline.com.

About the Hollywood Post Alliance(r)
Hollywood Post Alliance (HPA) serves the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media and other dynamic media content.

# # #

Media Contact:
Chris Purse, 818.303.8088
ignite strategic communications
chris@ignite.bz or mimi@ignite.bz

Anton/Bauer Batteries and Power Supplies Traverse Dune and Desert For The 2012 Dakar Rally

AMSTERDAM, NETHERLANDS, DECEMBER 28, 2011 — Starting January 1, 2012, an estimated 456 drivers of specially designed off-road motorcycles, cars and trucks will race from the Atlantic coastal resort town of Mar del Plata, Argentina to Peru’s capital, Lima, located on the Pacific coast of South America, as part of the 2012 Dakar Rally off-road automobile race. Drivers from around the world will traverse some of the world’s most unforgiving environments, and along for the ride will be Léon Jansen who, with his crew at the Dutch Dakar Press Team, will photograph the race from start to finish. Anton/Bauer, a brand of The Vitec Group, and a premier global provider of batteries, chargers, lighting and other mobile power systems for the professional broadcast, video and film industries, will also be on hand, as Jansen and his crew will rely on the company’s DIONIC® HCX, DIONIC® HC, Solar Panel, and various more

The Cortez Brothers Expands Directorial Roster With The Clyde Brothers & Esteban Sapir

The Cortez Brothers, an LA-based global production company specializing in offshore shooting, continues its growth streak with the addition of The Clyde Brothers and Esteban Sapir for US representation.

The Clyde Brothers

Esteban Sapir



“We just like the Clyde Brothers,” says executive producer Ed Rivero. “Their reel is fantastic, but so is their comedic timing when they’re in a room together. We obviously have an affinity for brothers, but even more so when they get along so well together before, during and after the filming process. They’re a dedicated duo in every sense of the term. I’ve been following Esteban’s career for a long time, and I’ve always been a big fan. His amazing capacity for visual storytelling is well known. It’s an honor and a pleasure to finally have him on board with us. He’s a great addition to our roster.”

To view the Clyde Brothers’ reel: http://bit.ly/vdfGzF

To view Esteban Sapir’s reel: http://bit.ly/w4JhNL

For Rob & Benjamin Clyde of the Clyde Brothers, their love for filmmaking began at a young age, when they learned to connect with people through great storytelling. The duo creates, writes and directs everything from comedic commercials and branded entertainment to dramatic films and documentaries. Recent clients include Microsoft, Toshiba, Audi, Xbox, Symantec, Sun America, Adobe, NASA, CenterPoint Energy and Mattel Children’s Hospital, among others.

In 2010, the two directed the short documentary “Nurses for Africa,” which debuted at the Dances with Films Festival in Los Angeles and the Athena Film Festival in New York City. A television version of the film also aired on broadcast and cable networks in more than 50 million homes nationwide. The Clyde Brothers are currently in development on their first feature film, “If I Could Tell You,” as well as numerous web and television originals.

“We like to say Cortez Brothers actually means Clyde Brothers in Spanish,” jokes Rob Clyde. “The future of commercials is international, and their deep-rooted connection to that diverse market is a huge attraction for us. We feel we’re a perfect fit for their roster, rounding it out with our work in original content, slice-of-life narratives and projects that make us laugh. As writers and directors, we like to put our mark on a project early. It’s really fun for us.”

“We love their team,” adds Ben Clyde. “We come from a big family of five kids, and much of our material is inspired by our relationships. Cortez very much operates in the same way; they have open communication, are family-oriented, and just seem like real people to us. We know we’re in good hands with them. They’re like our big brothers, excited to bring us to the party now.”

One of Argentina’s most prolific and award-winning filmmakers, Esteban Sapir is an all-around director extraordinaire. Sapir got his start as a cinematographer winning accolades along the way and working with some of the best directors, including Pucho Mentasti, Lucho Bender, and Marcelo Schejtman. In 1994, his first feature, “Picado Fino,” earned him special mentions and awards from festivals in Berlin, Havana, Montreal and Montevideo. He has directed over 300 commercials, video mappings and short films for international agencies and clients since 1999. Notable projects include campaigns for Unilever, Peugeot, Budweiser, Pepsi, Ford and Visa, as well as documentary projects for singer Shakira and Sony Music International.

“What attracted me to the Cortez Brothers is, first of all, the honesty and warmth of how they interact and communicate with people,” concludes Sapir. “That, together with their continued growth as a company building on their many years of experience in the market. I think it’s a good fit for me because, in addition to their fantastic staff and excellent directors on their roster, they don’t have another director with the visual style and narrative approach that I specialize in. The diversity of this company is what lured me and made me think that I could bring a new, distinct director’s point-of-view.”

About The Cortez Brothers:
A Los Angeles-based global production company specializing in offshore shooting, The Cortez Brothers has become a lightning rod for the worlds of entertainment and advertising, melding Hispanic/Latino culture and mainstream American sensibilities.

Founded in 2006, it brings bilingual, international talent under one roof, combining the forces of directors, writers and producers who are equally at home speaking English or Spanish. The Cortez Brothers produces a wide range of projects from feature films and television series to webisodes and commercials.

Recent clients include AT&T, Chevy, Coca-Cola, Dodge, Ford, Home Depot, McDonald’s, Pontiac, Procter & Gamble, Toyota, Verizon and Allstate. The Cortez Brothers is one of the only woman- and minority-owned production companies in the entire US.

www.cortezbrothers.com

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Briefing Room.

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