New 3D BULLET RIG shown with Panasonic HPX250 cameras. The most affordable, modular 3D beam-splitter made. Adustable IO (3.5″), convergence (0-2 deg), XYZ axis, camera elevation and mirror angle (44 to 46 deg) for perfect image alignment. Fits easily on Steadicam, handheld mode (shoulder mount incl), EasyRig, jib and any tripod. Weighs just 15 lbs. Accomodates Red Epic, Scarlet, Sony EX3, F3, Canon XF305, XF105, 5D, Si-2K, & many other cameras. Visit www.3DFilmFactory.com

A.C Entertainment Technologies (AC-ET) Ltd’s Video and Lighting divisions are holding an exclusive 2012 UK open days in conjunction with Green Hippo and PixelRange on 28th February in the South and on 1st March in the North of England.

The events will highlight the latest innovations from these leading brands, and explore the hottest developments in video and lighting convergence.

The simple, powerful and flexible control of video sources on to multi-screen and other display surfaces has become an essential element of any creative production.

The open days will give attendees the chance to discover for themselves why the award-winning Hippotizer range is arguably the industry’s leading real-time video playback solution.

Catch a demo of the latest Hippotizer v3 software, which continues to set the benchmark for versatile media control with features such as UberPan for controlling multiple Hippotizers as a single canvas, and VideoMapper for fitting and shaping content across different scenic elements with stunning results.

Creative productions are also increasingly demanding the greater level of artistic control and energy efficiency afforded by LED-based lighting solutions.

The open days will give attendees the chance to discover for themselves why PixelRange are one of the industry’s most innovative providers of LED-based batten and Par lighting solutions.

Catch a demo of the versatile SmartLine intelligent RGBW LED battens range, which in addition to providing a powerful light source, is an ideal display surface for pixel mapping video content onto.

The LED line-up also includes the QPar high output RGBW fixture and PixelSmart Par, which combines a vast RGBW colour palette with warm white LEDs for a brilliantly bright white.

AC-ET – the exclusive UK and Ireland distributor for Green Hippo and master European distributor for PixelRange – will host the two open days at its state-of-the-art demo facilities in High Wycombe and Leeds.

Geared for all types of user, the events will include separate introductory and advanced training sessions, lunch and refreshments, and a prize draw to win various branded swag and other goodies!

For further details and to register your interest, please visit http://www.ac-et.com/events/convergence-open-days.asp

For more press information on A.C. Entertainment Technologies, please contact Louise Stickland on +44 7831 329888 or +44 1865 202679 or EMail; louise@loosplat.com.

For more information from AC-ET direct, please contact:
A.C. Entertainment Technologies Ltd.
+44 (0)1494 446000
sales@ac-et.com
www.ac-et.com

sales@ac-et.com
www.ac-et.com

Hollywood, CA – 3D Film Factory, the leader in professional, affordable 3D camera rigs, introduces the world’s lightest, most affordable, hand-held 3D rig – the 3D Bullet Rig. Ready to “Load & Shoot”, this versatile 3D system is literally unshakable for handheld, Steadicam, Easyrig, or tripod filming.Priced at a fraction of other professional 3D rigs (under $5K), this compact beam-splitter rig is the perfect solution for location, reality, or action 3D filmmaking. It’s features actually surpass that of other more expensive rigs. For more information on the 3D Bullet Rig visit www(dot)3DFilmFactory(dot)com

“The 3D Bullet Rig is going to take 3D production to a whole new level. I love this rig. It’s incredibly light, rock steady and most of all – it’s really easy to shoot with from your shoulder, or tripod. This rig is a 3D filmmakers dream, very versatile“, said the company’s veteran stereographer Keith Driver. “Most 3D rigs are bulky, expensive and worst of all – tripod bound. They require a crew to operate. We’ve shot 3D projects in Africa, the Middle East, Hollywood soundstages, you name it we’ve done it in 3D. And we realized we needed a more mobile 3D rig. A 3D rig you could just pick up and shoot with. This is the 3D Bullet Rig.”

The 3D Bullet Rig makes handheld 3D filming effortless and smooth by transferring the weight to your waist and shoulder. Each 3D rig includes a spring-loaded suspension rod, comfortable weight displacement belt and adjustable, padded shoulder mount. The result is hours of mobile, handheld 3D filming capability. In addition, the rig features detachable rubber hand grips for easy manoeuvring and a standard tripod mounting plate (¼-20 and ?-16 holes).

Weighing approx. 15 lbs. (5.8 kgs.) the Bullet Rig accommodates the Red Epic, Canon DSLR 5D, 7D, XF105, XF305, XH-G1, Sony F3, EX3’s, HDCP1, X5U, Z1U, Panasonic AF100, HPX250 and many other professional HD cameras.

The rig also features custom camera mounts that easily lock and load cameras into place using a standard quick-release plate from Bogen/Manfrotto. The horizontal camera mount offers IO (inter-ocular) adjustability from 0” – 3.5” (0 – 89 mm) and simple convergence movement from 0°-3°. Both functions are easily controlled using smooth, accurate finger knobs, with calibration markings. The vertical camera mount adjusts for perfect stereoscopic picture alignment by elevating and performing full x-y-z rotation (yaw, roll, tilt).

The light-weight, mirror box housing is constructed using space-age foam core plastic that’s durable, corrosion-free and substantially cooler than a metal matte box. This ensures your beam-splitter glass with its expensive coatings will stay cool on hot days. The rig itself is hand-milled employing a nearly indestructible aluminium alloy frame.

Perfect for traveling light, the entire 3D Bullet Rig is ingenuously designed to set-up and break down in a matter of minutes, packing into a small, water-tight pelican case.

As a bonus, the horizontal rail easily detaches, along with the camera mounts, transforming into a side-by-side rig 3D for wide and landscape stereography.

Our opti-prime, 50/50 beam-splitter glass is optimized to meet the demands of 3D filmmaking. See specs. Within the matte box, a simple adjustment tool allows stereographers to fine tune the glass angle from between 43° to 47°.

The outcome is simply the world’s most affordable, professional handheld 3D rig.

It should be noted that using our simple Lanc system camera operators can now synch start/stop, focus, alignment, lens shift and many other vital functions thru both cameras or individually.

The 3D Film Factory offers a complete line of 3D beam-splitter rigs intended for HD camcorders, as well as larger ENG and broadcast style camera. In addition, we offer several inexpensive side-by-side rigs and real-time 3D viewing solutions. To learn more about 3D camera rigs, 3D viewing systems, 3D production services, or 3D training workshops visit – www.3DFilmFactory.com

About the 3D Film Factory
Established in 2008 by award-winning filmmakers and veteran stereographers, the 3D Film Factory has been the worldwide leader in professional, affordable 3D camera rigs and real-time 3D monitoring solutions. In addition we provide a host of 3D production services worldwide including, stereographers ‘for hire’, 3D camera rig rental, 3D viewing systems, and 3D post, as well as intensive 3D training workshops. Former clients include ESPN, NASA, Disney, HD Cinema, Pinewood Studios and Discovery. For more information visit www.3DFilmFactory.com

3D Film Factory Introduces the All-New, Handheld 3D Rig Designed to Capture Incredible, Accurate Stereoscopic Images on the Move

Hollywood, CA – 3D Film Factory, the leader in professional, affordable 3D camera rigs, introduces the world’s lightest, most affordable, hand-held 3D rig – the 3D Bullet Rig. Ready to “Load & Shoot”, this versatile 3D system is literally unshakable for handheld, Steadicam, Easyrig, or tripod filming.

Priced at a fraction of other professional 3D rigs (under $5K), this compact beam-splitter rig is the perfect solution for location, reality, or action 3D filmmaking. It’s features actually surpass that of other more expensive rigs. For more information on the 3D Bullet Rig visit www(dot)3DFilmFactory(dot)com

“The 3D Bullet Rig is going to take 3D production to a whole new level. I love this rig. It’s incredibly light, rock steady and most of all – it’s really easy to shoot with from your shoulder, or tripod. This rig is a 3D filmmakers dream, very versatile“, said the company’s veteran stereographer Keith Driver. “Most 3D rigs are bulky, expensive and worst of all – tripod bound. They require a crew to operate. We’ve shot 3D projects in Africa, the Middle East, Hollywood soundstages, you name it we’ve done it in 3D. And we realized we needed a more mobile 3D rig. A 3D rig you could just pick up and shoot with. This is the 3D Bullet Rig.”

The 3D Bullet Rig makes handheld 3D filming effortless and smooth by transferring the weight to your waist and shoulder. Each 3D rig includes a spring-loaded suspension rod, comfortable weight displacement belt and adjustable, padded shoulder mount. The result is hours of mobile, handheld 3D filming capability. In addition, the rig features detachable rubber hand grips for easy manoeuvring and a standard tripod mounting plate (¼-20 and ?-16 holes).

Weighing approx. 13 lbs. (5.8 kgs.) the Bullet Rig accommodates the Red Epic, Canon DSLR 5D, 7D, XF105
XF305, XH-G1, Sony F3, EX3’s, HDCP1, X5U, Z1U, Panasonic AF100, HPX250 and many other professional HD cameras.

The rig also features custom camera mounts that easily lock and load cameras into place using a standard quick-release plate from Bogen/Manfrotto. The horizontal camera mount offers IO (inter-ocular) adjustability from 0” – 3.5” (0 – 89 mm) and simple convergence movement from 0°-3°. Both functions are easily controlled using smooth, accurate finger knobs, with calibration markings. The vertical camera mount adjusts for perfect stereoscopic picture alignment by elevating and performing full x-y-z rotation (yaw, roll, tilt).

The light-weight, mirror box housing is constructed using space-age foam core plastic that’s durable, corrosion-free and substantially cooler than a metal matte box. This ensures your beam-splitter glass with its expensive coatings will stay cool on hot days. The rig itself is hand-milled employing a nearly indestructible aluminium alloy frame.

Perfect for traveling light, the entire 3D Bullet Rig is ingenuously designed to set-up and break down in a matter of minutes, packing into a small, water-tight pelican case.

As a bonus, the horizontal rail easily detaches, along with the camera mounts, transforming into a side-by-side rig 3D for wide and landscape stereography.

Our opti-prime, 50/50 beam-splitter glass is optimized to meet the demands of 3D filmmaking. See specs. Within the matte box, a simple adjustment tool allows stereographers to fine tune the glass angle from between 43° to 47°.

The outcome is simply the world’s most affordable, professional handheld 3D rig.

It should be noted that using our simple Lanc system camera operators can now synch start/stop, focus, alignment, lens shift and many other vital functions thru both cameras or individually.

The 3D Film Factory offers a complete line of 3D beam-splitter rigs intended for HD camcorders, as well as larger ENG and broadcast style camera. In addition, we offer several inexpensive side-by-side rigs and real-time 3D viewing solutions. To learn more about 3D camera rigs, 3D viewing systems, 3D production services, or 3D training workshops visit – www.3DFilmFactory.com

About the 3D Film Factory
Established in 2008 by award-winning filmmakers and veteran stereographers, the 3D Film Factory has been the worldwide leader in professional, affordable 3D camera rigs and real-time 3D monitoring solutions. In addition we provide a host of 3D production services worldwide including, stereographers ‘for hire’, 3D camera rig rental, 3D viewing systems, and 3D post, as well as intensive 3D training workshops. Former clients include ESPN, NASA, Disney, HD Cinema, Pinewood Studios and Discovery. For more information visit www.3DFilmFactory.com

New 3D BULLET RIG shown with Panasonic HPX250 and Canon XF305 cameras, is the most affordable, modular 3D beam-splitter available today. It features adustable IO (3.5?), convergence (0-2 deg), XYZ axis, camera elevation and mirror angle (44 to 46 deg) for perfect image alignment in every situation. Fits easily on Steadicam, in handheld mode (shoulder mount incl), with EasyRig, on a jib and any tripod. Weighs just 15 lbs. and is 15? wide. Accomodates Red Epic, Scarlet, Sony EX3, F3, Canon XF305, XF105, 5D, Si-2K, & many other professional cameras. For more information visit www.3DFilmFactory.com

New 3D BULLET RIG shown with Panasonic HPX250 and Canon XF305 cameras, is the most affordable, modular 3D beam-splitter available today. It features adustable IO (3.5″), convergence (0-2 deg), XYZ axis, camera elevation and mirror angle (44 to 46 deg) for perfect image alignment in every situation. Fits easily on Steadicam, in handheld mode (shoulder mount incl), with EasyRig, on a jib and any tripod. Weighs just 15 lbs. and is 15″ wide. Accomodates Red Epic, Scarlet, Sony EX3, F3, Canon XF305, XF105, 5D, Si-2K, & many other professional cameras. For more information visit www.3DFilmFactory.com

Four Incomparable Days of Industry-Leading Sessions, Networking and Demonstrations at 18th Annual Confab

(Los Angeles, CA) The Hollywood Post Alliance(r) Tech Retreat 2012, the 18th annual gathering of post production industry leaders, is set to take place February 14-17, at the Hyatt Grand Champions Resort in Indian Wells, CA. Over the course of four days, the industry’s technical, business and creative leaders will gather for exploration and information exchange, sharply focusing on the latest developments and trends. The HPA Tech Retreat has long been recognized as a must-attend event for serious post production professionals, whether at work in acquisition and production, IT, engineering, broadcasting, 3D, digital-cinema and distribution or manufacturing. For nearly two decades, the topics and attendees gathering at the HPA Tech Retreat(r) have helped to define and clarify the trends and technologies driving the industry.

The HPA Tech Retreat is designed for participants to gather in a collegial atmosphere and dive into the most current and relevant topics impacting the industry and their work. During networking events, presentations and technology demonstrations, the Tech Retreat presents major opportunities for attendees to stay competitive and informed of significant industry issues and trends.

The event opens on Monday, February 13 for early registration and a pre-Retreat seminar from Charles Poynton. Tuesday, February 14th events include the HPA Supersession on Snowflake Work Flows, Part II and a seminar on ATSC 2.0: Enhancing Today’s DTV Services. The Tech Retreat Conference begins Wednesday, February 15th and runs through mid-day Friday, February 17th The entire event features back to back programming of presentations and seminars as well as demo rooms showing the newest in technology and provide the opportunity to talk one-on-one with the engineers and product innovators. Rounding out the event are breakfast roundtable discussions and outstanding networking opportunities. A full schedule is available at http://www.hpaonline.com/mc/page.do?sitePageId=130712.

Sponsors of HPA Tech Retreat 2012 include: AJA, Dolby, DataDirect Networks, and Testronic Labs, and Media Sponsors Createasphere and Post Magazine.

Complete registration information is available on the HPA website at http://www.hpaonline.com/mc/page.do?sitePageId=130712. For information regarding sponsorship, demo space or other opportunities call
(213) 614-0860 or email ekramer@hpaonline.com.

About the Hollywood Post Alliance(r)
Hollywood Post Alliance (HPA) serves the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media and other dynamic media content.

# # #

Media Contact:
Chris Purse, 818.303.8088
ignite strategic communications
chris@ignite.bz or mimi@ignite.bz

Los Angeles – January 16, 2012 — The House Research Institute (HRI) [NAMM booth 1292, Hall E] announced that as part of its Sound Partners® program it is continuing its annual tradition of providing free hearing screenings to all attendees of the 2012 NAMM Winter Show on January 19 – 22 at the Anaheim Convention Center. By visiting the HRI booth, NAMM attendees can receive valuable information on noise induced hearing loss as well as Hi-Fi earplugs, which will be distributed on a first come, first served basis.

During last year’s NAMM convention, the House Research Institute provided its free hearing screening services to more than 800 attendees. To accommodate screenings for those working on the show floor, the HRI booth will open early at 9:30 on Friday, Saturday and Sunday.

“Before making any other stops, NAMM attendees should come down to Hall E and make an appointment to have their hearing evaluated,” commented Marilee Potthoff, director of Community Education & Outreach at HRI. “Noise induced hearing loss is a major health problem in the sound industry, and can be completely avoided. We encourage those attending NAMM to do the right thing for their own hearing health by signing up for a screening.”

Anyone attending or exhibiting at NAMM is welcome to stop by the booth and inquire about a free hearing screening — appointments will be arranged on a first come, first served basis. In addition to providing free hearing screenings throughout the duration of the exhibition, HRI will also have plenty of informational handouts and literature on hearing protection and noise induced hearing loss.

Following are details on the hearing screenings:

Date/Time:
January 19, 20, 21 and 22, 9:30 a.m. to 6:00 p.m. (Sunday, until 5:00)
Location:
NAMM Convention, back of Hall E, Booth 1292

Licensed audiologists from the House Ear Institute and House Clinic will briefly counsel participants on their hearing screening results. All results are retained in a confidential patient database at HRI; people who have had screenings in prior years will easily be able to compare results to track any changes over time. For more information, visit http://www.houseresearch.org/.

Trendsetting Conference Set for February 22-23 at the Beverly Hilton

(Burbank, CA) Createasphere’s Digital Asset Management (DAM) Conference – the leading industry event catering directly to the digital asset management community – will take place in Beverly Hills on February 22-23. Createasphere’s Digital Asset Management Conferences are top gatherings of trend-setting experts who present and interact with end users sharing their experiences in DAM, MAM, information management, storage, security, and preservation. The event encompasses a broad scope of applications, including advertising, broadcasting, entertainment, new media, publishing, non-profits, government, and retail sectors.

Over the course of the two-day conference, attendees will participate in panel sessions, keynote presentations, lunchtime roundtables, cocktail receptions and an exhibition area of leading companies in the DAM/MAM arena. This unparalleled group of speakers will address the escalating challenges of production workflow, content protection, transmedia, disaster recovery, semantics, metadata, taxonomy, and much more.

Speakers set for Createasphere’s Digital Asset Management Conference are an esteemed group of experts, including; Stephen Beres, HBO; Jeff Flasco, Technologent; David Ginsberg, Warner Bros. Worldwide Television Marketing; Theodore E. Gluck, Walt Disney Studios; Deborah Hunt, Information Edge; Janet Lafleur, Atempo; Kate McCallum, Center for Conscious Creativity; Dan McGraw, Seven Dials Media; Charlie Miller, Control Group; Chris Orr, University of California; Jason Perr, Levels Beyond; and Nick Sincaglia, NueMeta LLC. Announcements of additional speakers and keynotes are expected shortly.

Topics will include Production in the DAM environment, The CEO signoff for DAM, Semantics Metadata – Complexity or Innovation?, Content Protection, How To Get Started on Your DAM Project, Managing Analogue Assets in a Digital World, Managing Change, The Role of Digital Librarians, and many more.

For a complete lineup of speakers, events, and registration information please visit www.createasphere.com/DAM, or call 818-842-6611 for more information. Special pricing is offered to students and groups.

About Createasphere
Createasphere is a global community builder for the entertainment technology industry, advancing technologies and careers through Expos, Conferences, and online offerings.

Createasphere was founded in 2001 as HD EXPO, and over the past decade has grown into a global company that develops and presents influential events for the content creation community, on line and face to face. Founded by Kristin Petrovich Kennedy in Los Angeles, Createasphere became part of Diversified Business Communications in 2009, now driving their entertainment strategies and properties division. Currently Createasphere is presenting the Entertainment Technology Expos in New York and LA; the Digital Asset Management Conference in New York, Los Angeles, and Europe; The DAMMY Awards in New York; Cinema India Expo in Mumbai; the online news and content portal CreativeProCoalition.com; 3D Road Shows; and Post Production Master Classes.

Connect with Createasphere on Facebook, Twitter, LinkedIn, and Vimeo.

# # #

Media Contact:
Chris Purse, 818.303.8088
ignite strategic communications
chris@ignite.bz or mimi@ignite.bz

Attendees Get an In Depth Look into PIX Features, Functionality and Workflow

LOS ANGELES, JANUARY 12, 2012 — Sound Devices, experts in production sound and video products for field production, will host a PIX seminar at the Los Angeles Film School’s LAFS Theater on Saturday, February 4 from 10 a.m. – 12:30 p.m. The presentation highlights Sound Devices’ new line of portable production video recorders, PIX 220 and PIX 240, and will explore the benefits of using an external recorder to acquire the highest quality picture and sound in the field.

With the increase in popularity of high-performance, portable external video recorders, along with Sound Devices’ recent introduction into this marketplace, the seminar will delve beyond the typical feature lists to highlight applications and usage of the product, from camera to post.

“We are excited to showcase the benefits and real-world functionality of PIX at the LA Film School,” says Paul Isaacs, technical development manager for Sound Devices. “A broader range of professional and DSLR-type cameras being used today has created a need for portable production video recorders. We are excited to further educate the industry on how to easily integrate our PIX recorders into their workflow.”

Sound Devices’ PIX 220 and PIX 240 connect to cameras with HDMI (plus SDI on the PIX 240) and record directly to QuickTime using Apple’s ProRes or Avid’s DNxHD codec. Since PIX recorders use ProRes and DNxHD, files recorded in the field can be used directly in post production, making the workflow simple and fast. The PIX 240 adds even more flexibility, with its time code and sync generator, simultaneous SDI and HDMI outputs, and hardware scalers. Both the PIX 220 and PIX 240 bring the company’s award-winning audio expertise and performance to their video products.

To RSVP for this event, register at http://www.sounddevices.com/pix-la/.

Sound Devices, LLC designs and manufactures portable audio mixers, digital recorders, portable video recorders and related equipment for feature film, episodic television, documentary, news-gathering and acoustical test and measurement applications. The thirteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.