If You Love Sony Vegas Raise Your Hand

Sony Vegas Pro 8Let’s face it; few of us can love more than one video editor; two at most, and that’s only because Final Cut Pro and Premiere Pro share a common heritage and for most high level functions feel like they were separated at birth. So it’s not surprising that Sony Vegas just doesn’t suit my eye. For me, it’s like driving a car in the UK; I may not crash driving while steering from the right, but I never do it long enough to get comfortable or really good at it.


None of this stops me from appreciating Vegas’ strengths. A few years ago, for another magazine, I tested all the major editors for “skills” like chromakeying, slow motion, color correction and the like, and Vegas came out first. I know a many, many talented editors love the product, and the Vegas party closed out last night with 1500 very vocal users paying tribute.


I never felt comfortable admitting that I was uncomfortable with the product – reviewers being objective and all that - but in a conversation with Sony VP Dave Chaimson this morning, he kindly let me off the hook. To paraphrase Dave, he said it was very hard to get users to change their editor preferences, but that Vegas was finding great success targeting new users in the US and abroad, particularly in the education markets. He also said that the number of Vegas editors now number in the “hundreds of thousands,” which is a great number.


Most of this success relates to Vegas’ growing strength as a product, and that Sony keeps doing things very right as they add new features. For example, Vegas supports nested timelines, as does Final Cut Pro and Premiere Pro, but unlike either program, you can open up multiple instances of Vegas and render one or more of the nested timelines while editing another, a killer and totally unique feature. Vegas supports AVCHD natively, which Premiere Pro doesn’t support at all and Final Cut Pro converts to ProRes; not a terrible solution, but a native editing option would be nice, especially on an 8-core system which should have plenty of horsepower for the long-GOP foramt.


The 64-bit version of Vegas, shown as a technology demonstration last NAB and due out in September, will ship as a free upgrade, and projects will be backwards and forwards compatible, so you can edit the same project in both 32-bit and 64-bit modes. And running in 64-bit mode will allow Vegas to address much more system memory, and more efficiently work with multi-core systems. Of course, Vegas makes supporting Sony’s high end camcorder formats a priority, with 8.0b, now shipping, supporting all XDCAM EX shooting modes, and XDCAM HD 4:2:2 support coming in version 8.0c, due out later this summer.


Though DVD Architect’s support of BDMV Blu-ray authoring is sort of an overdue catch-up feature to Adobe Encore and Sonic’s DVDit, it’s a free upgrade for owners of DVD Architect 5 and Vegas 8, which definitely takes the sting out of the wait. That said, DVD A5 can burn Blu-ray compatible projects onto DVD-R+R media, with menus, which Encore can’t do.


Again, if you have more than 3-6 months invested in learning a different editor, switching over to Vegas would be jarring. If you’re just starting out, however, Sony’s increasingly capable bundle is definitely worth a look.

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The editors of Digital Content Producer and millimeter post live from the NAB Show as the news happens. Check back several times a day for the latest industry news, reports from press conferences, and product introductions.

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