Archive of the Display/Presentation Category

Las Vegas, NV – April 16th 2007 – eCinema Systems (NAB Booth SL 9227) recently announced a completely new monitor line consisting of four major classes of monitors:

FX-series: Entry level HD/SD monitoring

PRO-series: Professional, critical-viewing monitors

DCM-series: LED-based, high color accuracy, wide gamut displays

DPX-series: High-end, LED-based, wide-gamut, CRT-replacement

Today the company unveiled an absolute first in the industry: Every monitor in the new lineup is designed to be upgradeable to the next class in performance. Read on at The Briefing Room: 2007 NAB Newslink

My favorite footage of the day was a Quicktime file that traveled over the Internet from Wade Fairley’s PDW F350 in Antarctica to the output of a Sony SXRD 4K projector. Apart from proving the snow worthiness of the XDCAM, it was lovely footage, and seemed to make world of digital media a much smaller place.

If you work on color correcting in post, or have to match cameras in the field, it‘s easy to rue the passing of CRT technology. While that analog technology had its limits, moving to LCD monitors meant losing track of colors such as emerald green and dark red, since backlighting the screen with fluorescent tubes greatly limits color fidelity.
At their Sunday press conference, Sony provided a solution with its BVM-L230 LCD video reference monitor; the 22.5-inch HD monitor employs a newly developed LED backlight system and display engine capable of producing 1,024 levels of gray scale. (The ability to render a greater number of luminance values directly influences color reproduction fidelity.)
Sony claims the new LCD panel is the industry’s first with to offer a 10-bit driver, replacing 8-bit technology, which is capable of only 256 levels of gray scale. more

Chyron is touting its all HD booth at this year’s NAB show, a first for the company. At the press conference, SD and HD weren‘t even a topic of discussion for the 41-year-old company: that‘s so yesterday.

The Melville, New York, company traditionally holds the show‘s first press conference, an 8am Sunday breakfast slot that doesn‘t automatically make it beloved of reporters, though Chyron can always be relied upon to offer a good spread and non-stop product introductions.

But we weren‘t here just for another CG rollout. But rather the company played up its sharpened market sensibility and product mix: profit margins moved from 62% to 67% over the past year, it‘s now debt free, and over the past two years the product line has been completely revamped and rationalized–that is, products fit together, work together into some greater whole. more

I blew into town this morning with an hour‘s sleep, expecting not much more than a slow day of stem-winding Digital Cinema Summit panels perfect for napping. Instead I got a fast day of welcome surprises.

Cooling my jets in the press lounge while a squad of black-clad IT guys tapped at my iBook trying to puzzle out why the friendliest of laptops can‘t connect to NAB‘s wireless network — after a 20-minute session, the verdict: “Your computer and our network don‘t get along.” No point in my pointing out that that every notebook in sight is a Mac — I encountered CML‘s Geoff Boyle, brimming with excitement. (Geoff, a U.K.-based Director of Photography, founded and runs the influential Cinematography Mailing List, an Internet exchange for professional DPs, ACs, DITs, and camera techs.) more