Archive of the Vegas Musings Category

Leitner’s Mondo NAB ‘08 – Thursday

Red 5K Epic at NAB Show 2008I call Thursday NAB’s “rump” day, a short, casual afternoon of thin crowds, when tired booth personnel slip away to visit competitors and otherwise view the show floor for themselves. It’s my favorite day.


For instance, I swung by RED’s tent and found no lines. I stepped immediately inside and like those before me, ogled the aluminum prototypes of the upcoming 5K Epic (the small boxy one) and 3K Scarlet (“3K for $3K”) rotating behind glass. more

Leitner’s Mondo NAB ‘08 – Tuesday

Tim Robbins gives the keynote address at NAB Show 2008Monday’s dharma at NAB was about bigness and smallness, and I’m still thinking about it.


Yesterday Tim Robbins gave the keynote speech. Ever since FCC Chairman Newton Minow gave his famous “vast wasteland” speech at NAB in 1961, it seems NAB has played it safe. Past keynotes I’ve attended have featured Ronald Reagan (attacked on stage by an ice sculpture-wielding assailant, yards from where I was sitting), Barry Diller, Richard Parsons of Time-Warner, James Cameron and the like. Safe Republican choices, not likely to get former NAB CEO and good ol’ boy Eddie Fritts in any Washington hot water.


But a funny thing happened on the way to the Convention Center this year.


How Tim Robbins got invited to give the keynote is anyone’s guess. But there he was, on stage, facing a large morning audience of radio and TV broadcasters, cable owners and mixed-media types. more

North Hall, in search of Diogenes

FFV Elite HD camera backOne of the coolest products I saw at the show came to me by chance as I was hurrying across the North Hall, that almost always deserted-as-a-ghost-town hall. Maybe it’s not something a journalist would, or should, admit to, but when walking across such halls I sometimes feel sorry for the companies that have booths there. The booth employees make longing glances at your press badge as you hurry by. I usually find myself mumbling something like “Oh boy, really late again…” as I shuffle past looking for the exit.


(Hey, it just struck me–it might be helpful to someone who has never been to the show that one way to get a sense of it is to begin by thinking of a really huge amount of enclosed space. Okay? Divide that up into three big spaces/buildings, but not evenly: have each one gaining on the next. Good. Now think of these as having personalities. Maybe something from Goldilocks and the three bears could work. For example, North Hall seems a little too quiet at times, but it really is the smallest of the three in floor space, so that fits. Next, move on to Central Hall–yes, it’s laid out right in the middle of the three halls. Central Hall usually seems just about right; whether it’s crowd size, said crowds attendant caffeine levels, or amount of shouting needed to make yourself heard in the hallways, everything comes out about average. But now walk into the last of the three, the very oversubscribed South Hall. Here, just think of those over-crowded, sweaty fairgrounds you’ve encountered, or maybe a dangerously over-packed subway platform, something you might not want to navigate on a regular basis, but with everyone running. Yes, even in Las Vegas too much, it turns out, is really sometimes too much.) more

My Damn Channel

My Damn ChannelI just came from the extremely amusing “Trusting Talent: My Damn Channel” panel presentation at the Content Theater in the Central Hall. And besides being rather chuckle inducing (you should really check out “You Suck at Photoshop” and other programming at www.mydamnchannel.com ), it was actually rather thought provoking.


The entertainment site’s president/CEO, Rob Barnett, showed up with two stars/programmers of two of the eight channels on My Damn Channel–internet/cable TV oddball Andy Milonakis and legendary comedian/satirist/author/actor Harry Shearer, and in between clips and jokes, they proffered their theory that My Damn Channel and certain other entertainment sites finally have a chance at success now that “the bandwidth is finally there,” in Barnett’s words. He laid out a business model that doesn’t attempt to craft a new paradigm so much as combine old and new paradigms together. more

Leitner’s Mondo NAB ‘08 – Monday

SonyIn yesterday’s blog I didn’t get a chance to describe Sony’s press conference, so let’s catch up.


Sony is the largest exhibitor at NAB and their Sunday press conferences are large, slick affairs. I’ve genuinely enjoyed them through the years, though Sony as well as Panasonic could learn a thing or two from Apple, whose stage personalities memorize their presentations. Robotic readings, unnatural eyelines from footlight teleprompters, jokes fed from prepared text—it’s not pretty. Neither are taped testimonials from smiley-faced Christian evangelicals representing megachurches delighted with their Sony HD systems.


I’ve nothing personally against this market segment, but I squirmed at the mention of Jesus Christ to a mixed, international audience. What this sort of thing is doing at a Sony press conference full of trade journalists—for the second year in a row–is anyone’s guess. A Jewish journalist friend of mine from Moscow sitting in the next row looked uncomfortable, if not quietly flabbergasted. more

Whither Mental Ray?

For those Mental Ray users out there with questions about what will happen with the Mental Images line, I don’t have answers, yet. Officially, neither does Nvidia’s Dominck Spina. Yet. But as you can imagine, it’s sort of an embarrassment of rendering riches at Nvidia now; work is underway to design the best future for both Gelato and the Mental Images products. It seems inevitable that those futures will change, given Nvidia’s opportunity to deploy both. Since Nvidia acquired Mental Images in December, the focus, Spina says has been analyzing the very different roadmaps and build new roadmaps. Juxtapaosing IP, inevitably changes both roadmaps, especially since the two companies were pursuing very different rendering technologies. Complementary, Spina seems to think, but different enough to suggest there is a new best way to go forward for both Gelato and Mental Ray. Both…being the operative word.


Spina himself is only about a year into advancing Nvidia’s goals for GPU rendering for Gelato among other things. So the opportunity to put these two great graphics leaders together is I am sure a big job. Not only do the Mental Images IP, technology, and team have to be integrated with the Nvidia, but the Mental Images OEMs must also factor in the merge. As a reporter I wish I knew more.

Plumbing at 3Gbps

AJA Video Systems at NAB Show 2008At the Adobe dinner last night Mark Randall described NAB 2008 as the “year of plumbing.” Without a lot of blockbuster product releases (especially for the desktop), there’s a lot of truth to that statement. So what we’re seeing is a lot of infrastructure gear that’s not incredibly “sexy” (sorry, I can’t believe I just typed that) but is, or will be, incredibly useful.


Take 3Gbps HD-SDI transmission technology. This year (and somewhat last year) we’ve seen a wealth of products that can input and output 3Gbps worth of data i.e. video — it’s all over the show floor. Why is this number significant? Traditional single-link HD-SDI works out to 1.5Gbps. Dual-link HD-SDI and the newer 3G-SDI (which operates over a single coaxial cable) can handle 3Gbps. Standard HD-SDI can handle the transmission of 1080i video; dual-link HD-SDI and 3G-SDI open up the possibility of transmitting 1080p, 4:4:4 RGB, 2K “film” data, and stereoscopic 1080i. more

Adob% Aud#OH 2 Tekts in Premeeere Po

Adobe Media Player at NAB Show 2008The Adobe press dinner is always a lot of fun for me; a chance to hobnob with the product folks I talk to all year round, meet with some of the higher ups and drink really expensive single malt scotch (Lagavulin last night for those who care about such things).


And, of course, you get to hear what the product folks are working on for upcoming versions. One item I can talk about is an audio-to-text capability that I’ll see demonstrated in Adobe’s booth this afternoon at 2:00. I couldn’t help but think about the devastating Doonesbury comics lampooning the handwriting recognition capabilities of Apple’s Newton. But even if the Adobe software only successfully converts 75-90% of speech to text, the implications are immense. more

Always a Sucker for a Cool Visual Effect

coverflux.jpgThe coolest product I’ve seen so far at the show is an effect filter called CoverFlux from industrial revolution, which allows you to add the iTunes-like Cover Flow effect to images in a slide show. This looks cool on iTunes, looks cool on the iPhone and looks very cool in Final Cut Pro and Motion via CoverFlux. Can’t beat the price, either, since it will be a free download from idustrialrevolution.com once it ships in a few weeks.


Idustrial has other cool products that you can actually buy, of course, like Volumetrix, which shines moving lights through text with an alpha channel, and the campy but cool Superwipe, which comes with a library of image-based wipes like squeegees and airplanes. Even better, you can create new wipes with your own images.


By way of background, Idustrial was exhibiting in the Noise Industries booth, because they build their libraries using FXFactory, Noise Industries effects package. In addition to showing their own effects, Noise Industries also hosted third party developers CoreMelt (transitions, still image animations and other tools) and SugarFx (filters and themes), both worth checking out.

Don’t let the left eye know what the right eye is doing…

This is the 3D NAB.

Most of yesterday, the Content Theater in Central Hall cycled through case studies and insights from U2 3D, Journey to the Center of the Earth 3D, NBA 3D, Bugs 3D, and a live 3D transmission from 3ality Digital’s posh facility in Burbank. (I think this is the first time in history that “posh” and “3D” have appeared in the same sentence). The people–Peter Anderson, for example, Steve Schklair or Charlotte Huggins–who have literally devoted their lives to this incarnation of the moving image, are not so much vindicated as relieved I imagine. Though it’s tough to ask them now, swamped as they are by their sudden relevence. The subset of filmmaking in which you can, in all seriousness, call yourself Phil Captain 3D McNally, has finally emerged from the underfunded frontier into the glare of real life commerce. more

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The editors of Digital Content Producer and millimeter post live from the NAB Show as the news happens. Check back several times a day for the latest industry news, reports from press conferences, and product introductions.

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