Lincoln Schatz - interactive public video installations
Cluster in New Frontier at Sundance
January 18 - 28, 2007
“Schatz is documenting the present, showing snippets from the past and continuously turning both into video compositions. It‘s art in constant flux.”
-Robert L. Pincus, The San Diego Union-Tribune
bitforms gallery is pleased to announce a third solo exhibition of Chicago-based artist Lincoln Schatz and his inclusion in the New Frontier program at the 2007 Sundance Film Festival, featuring works in Schatz‘s generative multi-channel video installation series. Remarkable in vision and scale, these painterly compositions collapse time, depicting dynamic landscapes and portraits. Visualizing the memory of an environment, these works reconsider fixed notions of history, time and place. Each unique artwork records, stores and displays video that recounts its record of exhibition, building a distinct visible aura. more







Below are comments from Julien Temple, director of the 2007 Sundance World Documentary competition film The Future is Unwritten - Joe Strummer.
Noise premieres in the World Dramatic competition at the 2007 Sundance Film Festival. Below are comments from the film’s cinematographer László Baranyai.
Jake Paltrow (Writer/Director) started his career in motion pictures as a set production assistant on the television series Homicide: Life on the Street in 1994. His first achievement as a writer/director came in 1995 with the short film An Eviction Notice, which screened at the 1996 Sundance Film Festival. Jake Paltrow makes his feature film debut with The Good Night at the 2007 Sundance Film Festival. The film boasts acting performances from Penelope Cruz (Vanilla Sky), Danny DeVito (Terms of Endearment), Martin Freeman (BBC’s The Office) and Jake’s sister Gweneth Paltrow(Shakespeare in Love).
At New Frontier on Main, one of the earliest adopters of
When everyone involved with bringing Resurrecting the Champ to the big screen read the soul-searching truth that ran through every word in J.R. Moehringer‘s article (LA Times, 1997, also entitled “Resurrecting the Champ”), it became the utmost of priorities to make the film as genuinely true to the spirit of the article as possible. To that end, writer/director Rod Lurie (The Contender) wanted to capture the powerful authenticity of the newsroom, so instead of constructing a set of a newsroom, he shot in a real one.
HP will create the ultimate photography experience at Sundance. Stop by, have your photo taken with an HP digital camera and printed on an HP photo printer and go home with a great memory from Sundance.
